The specialized exhibition dealing with restoration work and research on underpaintings on glass is designed to be attractive and accessible to the average visitor.
Around the hall, a simple frame structure shaped like a U is built, clad with particle board, which serves as a background for a graphic field covering the entire area. The striking and ornate architecture of the lounge is in the background but still present.
Opposite the entrance, an interactive restoration table is installed, where visitors can try out the individual steps leading to the restoration of underpaintings firsthand. They can attempt to assemble an underpainting from shards, try their hand at retouching a colored background, or learn the difference between an underpainting and a stained glass window. The architecture of the exhibition works with the incorporation of display cases owned by the investor. In the center of the hall, a group of counter display cases is placed, focusing on various stages of restoration research. The display cases are equipped with raised bases and bottoms that allow for a more attractive installation of objects and unify the appearance with other exhibition elements.
Large showcase display cases (owned by the investor) are grouped into recesses in the paneling and are thus fully integrated into it. The display cases have slanted backs that allow for the exhibition of the most valuable restoratively treated underpaintings. On the slanted surface, underpaintings that still require a long restoration process are exhibited.
The minimally styled graphics work with a flesh-pink background tone and delicate, subtle motifs, as well as a wealth of infographics explaining the complex steps of restoration work.
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