For justice... the third moderated debate
Truth in Art
The third moderated debate titled Truth in Art will feature Milena Bartlová, Stanislav Kolíbal, David Kořínek, and Terezie Nekvindová. The discussion will be led by Václav Janoščí and entry is free.
Mgr. et Mgr. Václav Janoščí, Ph.D.
Theoretical art theorist, curator, philosopher, a graduate of the Faculty of Law and the Faculty of Philosophy at Charles University in Prague, earned his doctorate at UMPRUM in the field of curatorship and the theory of intermediaries and design. He is currently studying another doctoral program – historical sciences; methodological seminar at the Institute of Czech History at the Faculty of Philosophy at Charles University in Prague. He is a member of the Festival Fotograf council, a member of the art board of J&T, a member of the curatorial collective T.I.N.A. Prize, and a member of the editorial board of AIP Scholaris (ISSN 1805-613X). He received the Global Leader Award from Goldman Sachs in 2006. As an assistant professor in the Department of Photography, he teaches at the Film and TV School of the Academy of Performing Arts in Prague and in the Department of Theory and History of Art at the AAU, also externally at the Higher School of Applied Arts in Prague. He has organized a number of conferences and exhibitions.
prof. PhDr. Milena Bartlová, CSc.
Czech historian and publicist. She studied the history and theory of art at the Faculty of Philosophy at Charles University in Prague and worked as a curator in the Collection of Old Art at the National Gallery in Prague. During her academic career, she taught at several Czech universities. She specializes in medieval art and culture, as well as art methodology. She currently lectures and also heads the Department of History and Theory of Art at UMPRUM in Prague.
Stanislav Kolíbal
Artist, sculptor, conceptual artist, one of the most significant representatives of Czech conceptual art and foreign modernity. He studied graphic design at VŠUP and scenography at AMU in Prague. In the early 1960s, he primarily focused on the figure in his work; in later years, he shifted to abstract geometry, minimalism, and composition with a fundamental theme that runs through his entire oeuvre, the idea of lability and precariousness corresponding to the fragility of human existence. He has exhibited at many international exhibitions and this year represents his retrospective exhibition “Former, Uncertain, Hazy” (Bývalé, nejisté, tušené) in the Czech Republic at the 58th International Art Biennale in Venice.
doc. Mgr. David Kořínek
Dramaturg, screenwriter, director, media artist, member of the artistic group Rafani, a graduate of the Faculty of Philosophy at Masaryk University in Brno, in the field of film studies. He has worked as a freelance editor for titles such as Rovnost, Brněnský večerník, MF Dnes, Lidové noviny, Vokno, Biograph, Živel, Internet. Since 1994, he has been working for Czech Television, initially as a dramaturg and screenwriter, currently as a director. He has realized reports for television magazines such as Kabinet múz, Ztracená tvář měst, Kulturní magazín, Za dveřmi je A. G., Cesty, Kulturní týdeník, Souvislosti, Extrém, Pomeranč, Artmix. In 2000, he co-organized a telepresence discussion on social issues, politics, and philosophy within the framework of Havlova Fórum 2000. He is also a member of the informal association E-area, which focuses on artistic projects and architecture in the field of new media. He currently leads the supermedia studio at the Arts and Crafts School in Prague.
PhDr. Terezie Nekvindová, Ph.D.
Historian and theorist of art, graduated with a degree in art history from the Faculty of Philosophy at Palacký University in Olomouc and the Faculty of Philosophy at Charles University in Prague, where she obtained her doctorate. She works at the research facility of the Academy of Fine Arts in Prague, focusing primarily on Czech art after 1945, visual art and architecture, and the art of Czech video art. She lectures at AAU in Prague and externally at the Department of Art History at FF UP in Olomouc. As a (co-)editor, she has prepared numerous publications, such as “House of Art České Budějovice 2013–1998,” “Czech Art 1980–2010,” or a publication about the Ševčíks couples. She has also contributed to publications such as “Automat na výstavu: Czechoslovak Pavilion at Expo 67 in Montreal,” “Budování státu: Representation of Czechoslovakia in art, architecture, and design,” or “Sial.” She has also contributed to organizing many exhibitions related to Czech art in the second half of the 20th century. Her specific area of interest includes the restoration of contemporary art.
Mgr. et Mgr. Václav Janoščí, Ph.D.
Theoretical art theorist, curator, philosopher, a graduate of the Faculty of Law and the Faculty of Philosophy at Charles University in Prague, earned his doctorate at UMPRUM in the field of curatorship and the theory of intermediaries and design. He is currently studying another doctoral program – historical sciences; methodological seminar at the Institute of Czech History at the Faculty of Philosophy at Charles University in Prague. He is a member of the Festival Fotograf council, a member of the art board of J&T, a member of the curatorial collective T.I.N.A. Prize, and a member of the editorial board of AIP Scholaris (ISSN 1805-613X). He received the Global Leader Award from Goldman Sachs in 2006. As an assistant professor in the Department of Photography, he teaches at the Film and TV School of the Academy of Performing Arts in Prague and in the Department of Theory and History of Art at the AAU, also externally at the Higher School of Applied Arts in Prague. He has organized a number of conferences and exhibitions.
prof. PhDr. Milena Bartlová, CSc.
Czech historian and publicist. She studied the history and theory of art at the Faculty of Philosophy at Charles University in Prague and worked as a curator in the Collection of Old Art at the National Gallery in Prague. During her academic career, she taught at several Czech universities. She specializes in medieval art and culture, as well as art methodology. She currently lectures and also heads the Department of History and Theory of Art at UMPRUM in Prague.
Stanislav Kolíbal
Artist, sculptor, conceptual artist, one of the most significant representatives of Czech conceptual art and foreign modernity. He studied graphic design at VŠUP and scenography at AMU in Prague. In the early 1960s, he primarily focused on the figure in his work; in later years, he shifted to abstract geometry, minimalism, and composition with a fundamental theme that runs through his entire oeuvre, the idea of lability and precariousness corresponding to the fragility of human existence. He has exhibited at many international exhibitions and this year represents his retrospective exhibition “Former, Uncertain, Hazy” (Bývalé, nejisté, tušené) in the Czech Republic at the 58th International Art Biennale in Venice.
doc. Mgr. David Kořínek
Dramaturg, screenwriter, director, media artist, member of the artistic group Rafani, a graduate of the Faculty of Philosophy at Masaryk University in Brno, in the field of film studies. He has worked as a freelance editor for titles such as Rovnost, Brněnský večerník, MF Dnes, Lidové noviny, Vokno, Biograph, Živel, Internet. Since 1994, he has been working for Czech Television, initially as a dramaturg and screenwriter, currently as a director. He has realized reports for television magazines such as Kabinet múz, Ztracená tvář měst, Kulturní magazín, Za dveřmi je A. G., Cesty, Kulturní týdeník, Souvislosti, Extrém, Pomeranč, Artmix. In 2000, he co-organized a telepresence discussion on social issues, politics, and philosophy within the framework of Havlova Fórum 2000. He is also a member of the informal association E-area, which focuses on artistic projects and architecture in the field of new media. He currently leads the supermedia studio at the Arts and Crafts School in Prague.
PhDr. Terezie Nekvindová, Ph.D.
Historian and theorist of art, graduated with a degree in art history from the Faculty of Philosophy at Palacký University in Olomouc and the Faculty of Philosophy at Charles University in Prague, where she obtained her doctorate. She works at the research facility of the Academy of Fine Arts in Prague, focusing primarily on Czech art after 1945, visual art and architecture, and the art of Czech video art. She lectures at AAU in Prague and externally at the Department of Art History at FF UP in Olomouc. As a (co-)editor, she has prepared numerous publications, such as “House of Art České Budějovice 2013–1998,” “Czech Art 1980–2010,” or a publication about the Ševčíks couples. She has also contributed to publications such as “Automat na výstavu: Czechoslovak Pavilion at Expo 67 in Montreal,” “Budování státu: Representation of Czechoslovakia in art, architecture, and design,” or “Sial.” She has also contributed to organizing many exhibitions related to Czech art in the second half of the 20th century. Her specific area of interest includes the restoration of contemporary art.
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